TODAY'S NEWZ

How Commercialized Hip-Hop Murders the Futures of Our Children

I was just watching a video used as part of the performance in the “Up in Smoke Tour” with Dr. Dre, Snoop Dogg, Eminem and Ice Cube. At the end of the video, Snoop has shot another black man who is taking his last breath, with blood coming out of his mouth. Snoop looks into the camera at the predominantly white audience and says, “What do yall think? Should I smoke this n*gger?” The crowd screams in approval as Dre and Snoop proceed to murder another black man in front of the crowd.

After seeing this sick display that celebrates black-on-black genocide (Imagine if it had been a white man standing over a black man asking, “Should I kill this n*gger?”), I figured out how we might define Commercialized hip-hop. Commercialized hip-hop is a place where black men are financed by white-owned corporations to present themselves to predominantly white audiences as weed-smoking, sexually-promiscuous jackasses who are willing to shoot one another for almost any reason.

In case you didn’t know, gun violence is the leading cause of death among black men. My sister does autopsies in Chicago and said that 90% of her victims are black males under the age of 30. For some reason, the death of Trayvon Martin resonated deeply within the souls of those who followed this tragedy, but there are a few new Trayvons being shot in cold blood every single day of the week.

Congratulations black people, these have become the role models for husbands and fathers of the next generation.

Black men are dying on a regular basis and no one seems to care, but for some reason, we spend our time debating gay marriage, as if it’s the most critical civil rights issue of the last 50 years. All the while, the black family has been decimated to the point that most of our kids are born with one statistical arm tied behind their backs, our schools can’t even buy the paint for the buildings, and black people are filling up the unemployment lines in a way that hasn’t been seen since Dougie Fresh was a teenager.

When I debated hip hop artist accountability with Michael Eric Dyson at Brown University, my point was clear: Hip-hop music can no longer be legitimized as a medium used to glamourize and further institutionalize the most dysfunctional behavior within black America. The packaging and mass marketing of the serial killing, drug addicted, STD-infected gangster-buffoon to white America comes at the expense of children who have the capacity to be productive citizens in our society. The music can be appreciated with limitations, but we’ve got to stop behaving as if this stuff is normal. Read complete article at News One


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