On VH1′s “Basketball Wives” — which recently wrapped its fourth season — the wives, girlfriends and exes of NBA players regularly engage in fierce battles: Wine bottles are hurled, hair is pulled, faces get slapped, there’s even an attempt to use a planter as a weapon.
“Basketball Wives” is just one of several increasingly controversial reality shows that has transformed the once-demure sister channel of MTV — known for “Pop Up Video” and “Behind the Music” — into an unlikely venue for provocative programs slanted toward a demographic it previously ignored: African-Americans.
The Viacom-owned cable channel has found ratings gold with shows such as “Basketball Wives,” “Love & Hip Hop” and the tamer “La La’s Full Court” and “T.I. & Tiny” and hopes to keep building on the foundation that started with “Flavor of Love.” That 2006 dating show featured female contestants fighting, spitting and worse as they vied for the affections of gold-toothed hip-hop lothario Flavor Flav. And VH1 has more reality fare on the way: Its newest contender, “Hollywood Exes,” featuring the ex-wives of Eddie Murphy, Prince, R. Kelly, Will Smith and Jose Canseco, premiered June 27 at 10 p.m.
“They tapped into an audience that is very faithful,” said Robin Boylorn, a professor at the University of Alabama who focuses on race studies. “It’s smart in terms of marketing and money because in this moment they have the ear of a particular public. I think that they took advantage of that — we see it with all the spinoff shows for ‘Basketball Wives’ and ‘Love & Hip Hop.’ ”
VH1 executives maintain they are merely evolving the network into a more realistic reflection of the world — an alternative to the largely white, middle-class world of much of network TV.
“All of a sudden, the network is starting to look like how the world looks,” said VH1 president Tom Calderone, who views the network’s airing of “Hip Hop Honors” in 2004 as the “watershed” moment in realizing there was an untapped audience. Series such as “Love & Hip Hop” are a reflection, he added, of what networks need to do to remain relevant: “We’re creating new celebrities. ‘Mob Wives’ are new celebrities. ‘Basketball Wives’ are new celebrities. I think our role is to put a mirror on pop culture and influence pop culture — that’s important.”
Focusing on these individuals also makes for a smart strategy. African-Americans have the highest rate of total TV usage, according to a 2011 Nielsen report — translating to an average of seven hours, 12 minutes each day, two hours above the U.S. average. And black spending power is estimated to reach $1.1 trillion, according to the State of the African-American Consumer Report. While BET, also owned by Viacom, is still dominant among black viewers, that network abandoned celebrity-focused reality programming after it proved polarizing, instead pursuing scripted series.
“We respect our audience, and we don’t try to create programming that is dumbed down and appeals to the lowest common denominator,” said Loretha Jones, BET’s president of original programming.
This year BET has seen its ratings among its key demographic decline as VH1 has made gains with shows like “Basketball Wives” and “Love & Hip Hop.” “The numbers were great,” said Jeff Olde, who oversees all VH1 original programming and production. “It showed to us that an inclusive network can survive.”
